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NEW YORK, Jan. 16, 2020 /PRNewswire/ — From March 21 through August 23, 2020, the Building of Arts and Architecture (MAD) will present a above exhibition of works by acclaimed architectural artisan and painter Brian Clarke (b. 1953, United Kingdom). The aboriginal building exhibition in the U.S. of Clarke’s stained-glass screens, compositions in lead, and accompanying assets on paper, Brian Clarke: The Art of Ablaze showcases the best ample aesthetic and abstruse advance in the thousand-year history of decrepit glass.
More than twenty stained-glass screens anatomy the centerpiece of the exhibition. Begun in 2015, these works are declared by Clarke as “the announcement of account that started basic in my apperception in the 80s. They acquire a accurate ball that, until now, we haven’t had the technology to express.” Produced application advances developed with and for them, the works allocate with the adding advance abutment that has been a all-important basic of decrepit bottle through best of its existence. Merging the acceptable techniques of glassblowing with the artist’s decades of analysis of the average of glass, the screens are Clarke’s above absolute assignment of the accomplished four years.
“Brian joins a continued and illustrious history of amazing bottle artists that MAD has championed over the decades and this exhibition will acknowledge the abstruse addition that is basic to Brian’s abstract artistry,” said Chris Scoates, MAD’s Nanette L. Laitman Director. “There is apparent action in the art apple today for the artistic breakthroughs currently accident in media such as bottle and I am acutely aflame to allotment what will be an acclaimed appointment with the abutment of art and architecture in abreast decrepit glass.”
Consistently, Clarke has pushed the boundaries of decrepit glass, both in agreement of technology and its anapestic potential, in bike with his investigations in painting. His convenance in architectural and free decrepit bottle has led to alternating addition and apparatus in the artifact of the average and, through the assembly of leadless decrepit bottle and the conception of sculptural works fabricated primarily or wholly of lead, he has radically continued the banned of what decrepit bottle can do and express.
Organized by the Sainsbury Centre for Beheld Arts and curated by Director Paul Greenhalgh, the exhibition’s added than 100 works, completed by Clarke over the aftermost two decades, will be abiding thematically at MAD. In the light-filled fourth attic gallery, Clarke’s impressively scaled, free-standing screens will asperse visitors in exuberant, saturated colors. By contrast, the fifth attic will affectation the artist’s beforehand leaded works, arresting a added black and attentive chord. The bifold presentation of assignment and abstracts in affiliation to ablaze or its absence reinforces axial capacity in Clarke’s practice, such as morality, modernity, and memory.
“Brian Clarke is broadly accustomed as the best cogent artisan alive in decrepit bottle in the abreast world. Clarke is additionally accustomed as an important painter, and his painterly affection underpins the accomplished of his output. He additionally consistently works in sculpture, ceramic, metalwork, and mosaic,” said Greenhalgh. “Ultimately, this amphitheater of action contributes against his axial ambition to aftermath ‘total works of art,’ which amalgamate all aspects of the beheld arts to transform the architectural environment. This exhibition is the aboriginal leg of an all-embracing tour. It explores the ability of decrepit glass, and repositions it as a average of basic accent in the twenty-first century.”
For added information, appointment madmuseum.org.
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SOURCE Building of Arts and Design
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