Bunny Face Painting Images

By | September 2, 2019

Everything you charge to apperceive about this year’s awards division race. 

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The 2020 Academy Awards commemoration will acquire no host, but no one can booty these 49 memories away. Photo: Getty Images

Remember the Billy Crystal Oscars years? Aback the amateur hosted the Academy Awards nine times from 1990 to 2012? Of advance you do. You apparently acquire ashore in your arch appropriate now one of his abundant song-parody medleys, in which he would abundantly run bottomward the plots of every year’s Best Account nominees to the tune of standards from the Abundant American Songbook. He’d apprenticed assimilate the date with an astronomic beam and belt “Hooray for Howard’s End!” à la “Hooray for Hollywood.” It’s a architecture so brainless and so authentic it can alone be alleged brilliant.

Crystal, while technically adolescent abundant to acquire been allotment of the 1960s counterculture, is still added early-20th-century vaudevillian than annihilation else. (It’s no admiration Mr. Saturday Night, his 1992 authoritative effort, is about a Borscht Belt amateur at the top of his bold in 1956.) He began his Oscars hosting career not continued afterwards the premiere of 1989’s admired Aback Harry Met Sally, emceeing the broadcasts in 1990, 1991, 1992, 1993, 1997, 1998 (probably the acme of the event), 2000, 2004, and (somewhat disastrously) in 2012. With bristles Best Account nominees in eight of these years and nine in 2012, it all adds up to 49 shtick-heavy subroutines set to the music of Richard Rodgers, George Gershwin, Jimmy Van Heusen, and more.

And I’ve ranked them all, application a carefully captivated abstruse formula. To be a accurate Crystal parody, the cardinal has to accomplish me accompanying beam and cringe; I charge to be thinking, Man, this is evidently funny and Oh, candied Jesus, about-face this off, I aloof can’t booty it anymore! Aback the two sensations harmonize, that’s aback we apperceive it’s uncut Crystal.

This year’s Academy Awards commemoration will acquire no host, but no one can booty these four dozen–plus memories away:

“The Bearing of The Help” to the tune of “The Bearing of the Blues”

Fate saw to it that Crystal wasn’t hosting when, say, Schindler’s Account or 12 Years a Slave was up for awards. Would he still acquire done a assortment of song parodies? My assumption is that somehow, yes, he would have, as he hadn’t any advisedly about singing, “They mopped and swept / Barely slept / All the applesauce that they schlepped / Yes, the Southland gave bearing to The Help.” Hoo-boy.

Featured cringe: Crystal concluded his 2012 assortment with this one. At the big finish, he’s absolutely flat, giving a Louis Armstrong–like beam as the camera cuts to Tony Bennett, whose aerial charge acquire been bleeding. It’s an airball instead of a bang dunk.

“(Surprise) It’s the Crying Game” to the tune of “(Love Is) The Tender Trap”

Otherwise, Crystal went accessible on his archetypal dick jokes. But for The Crying Game? Sigh.

Featured cringe: Crystal opened this li’l cardinal adherent to LGBTQ agitation with a “This one’s for you, Jack” and acicular to Jack Nicholson.

“Born on the Fourth of July” to the tune of “Born in the U.S.A.”

It’s aloof the one line. Crystal turns ass-out to the admirers to re-create the iconic Bruce Springsteen anthology cover. It’s bristles abnormal you will never abrade from your mind.

Featured cringe: Crystal accomplishing Springsteen with a Bugs Bunny–esque Bronx emphasis is absolutely excruciating.

“The Show” to the tune of, um, “The Show”

This misstep is so abstract it’s about good. It’s absolutely important for the accurate masochists. First, what in the hell is Billy Crystal accomplishing singing “The Show,” by Lenka? This is not Jerome Kern, this is not Jule Styne. Second, Crystal basically ignores the accomplished Moneyball plot, which goes adjoin his attributes because he loves baseball. Last, all he does is accomplish fat jokes at the amount of Jonah Hill; he tells him he can go eat cupcakes afterwards he loses. Hill is absolutely abashed (he tries to beam it off, but he’s aloof had his pants pulled bottomward on all-embracing television), and what’s worse is that he’s affected amid considerately attractive Brad Pitt, who is laughing, and actual acclaimed Martin Scorsese, who is additionally laughing.

Most anachronous reference: Lenka’s “The Show.”

“Malick” to the tune of “Alfie”

The gag actuality is “What’s it all about?,” because I assumption The Tree of Life is ambagious to some people. What, not every aureate adolescence account appearance a dialogue-free 16-minute arrangement depicting the bearing of the cosmos and the meteor-instigated afterlife of the dinosaurs?

Featured cringe: The Tree of Life is one of the best attractive works of art to anytime get nominated for an Academy Award, and Billy Crystal alleged it “odd.”

“Dead Poets Society” to the tune of “Mutual Admiration Society”

This one, blessedly, lasts alone eight seconds. One charge acquire that in 1990 added bodies were accustomed with Harold Arlen’s tune from the appearance Happy Hunting than they are today.

Featured cringe: A little added “Walt Whitman and me” isn’t a joke!

“I Adulation Midnight in Paris” to the tune of “The Aftermost Time I Saw Paris”

A quick Charles Boyer–esque ascertainment that Owen Wilson is a little goyische as the Woody Allen proxy in Midnight in Paris.

Featured cringe: Not so abundant a cringe, but Crystal had an befalling to lay in with some affection Woody Allen jokes and he larboard them all on the table.

“Mystic River” to the tune of “Ol’ Man River”

Oh no. Billy, don’t do the voice. Please. Don’t do the — he’s accomplishing the voice. The year 2004 was contempo abundant for him to apperceive not to do the voice. As Crystal enters the admirers to carol Clint Eastwood, he brings the abode bottomward balladry “You’ve fabricated hits / You don’t accomplish abnormal / You’ve performed with monkeys and with Sondra Locke.”

Most anachronous reference: “There’s a acid / And there’s a advance / It’s like a Disney and Eisner meeting.” If your cable to Premiere has lapsed, that back-bite may be absent on you.

“He Won’t Talk” to the tune of “I Won’t Dance”

Crystal’s gag for The Artist lasts all of 11 seconds. The antic is “he won’t talk” because it’s a bashful film. I get it.

Deep cut: Wait, what? The Artist won Best Picture? I forgot about that.

“Mr. Joey” to the tune of “Theme From Mr. Ed”

No abruptness that he went to Mr. Ed while acrimony War Horse, and while balladry horse, course, and Spielbergian bout de force is impressive, this is one of the added awkward Crystal exercises. Booty it out aback and shoot it.

Featured cringe: You anticipate it’s activity to end with “famous Mr. Ed,” but the music drops out and Crystal slows his accent to acreage on “Mr. … Joey!” A trumpet in the orchestra mimics a neigh, but the accomplished affair is in actuality one big … hell, neigh.

“My Affectionate of Town (Fargo Is)” to the tune of “My Affectionate of Town (Chicago Is)”

The ambition posts were advanced for this one, but it is an accidental whiff. For example, Crystal goes all in miming what he thinks a lactating sheriff looks like.

Featured cringe: In the average of the bit, he block into his old Sammy Davis Jr. voice.

“Hanks Is a Memory” to the tune of “Thanks for the Memories”

Okay, so how do you address a song apology about a 9/11 film? You bandy it away. This access is one line, lasts six seconds, and gets about no laughs.

Deep cut: Cards on the table, I didn’t alike get this until I counted up all the entries for this account and saw I was one short. This micro-gag comes appropriate afterwards War Horse, and I originally anticipation it was a bruised antic about Spielberg not casting his associate Tom Hanks in his latest.

“Come Sail With Me” to the tune of “Come Fly With Me”

Director Peter Weir looks like he wants to jump abdicate as Crystal makes comatose argosy cracks about his ablaze film. Russell Crowe did not anytime attending through a spyglass and bark “Thar she blows!”

Featured cringe: Crystal ends the film-specific allotment of the cardinal with a actual out-of-character gay antic (“Next port, San Francisco!,” he squeals), afresh segues into some “Let’s alpha the show” business. He makes a able about not mispronouncing Djimon Hounsou’s or Shohreh Aghdashloo’s name, but I’m appealing abiding he mispronounces them while accomplishing so.

“Secrets & Lies” to the tune of “Theme From The Brady Bunch”

Crystal tries to abridge the circuitous accord amid all the characters in Mike Leigh’s assertive acting showpiece but relies on superimposing video screens for a beheld gag.

Most anachronous reference: “Dennis Rodman’s tattooed thighs” rhymes with Secrets & Lies, sure, but that’s the best you could do?

“Well, That’s Hugo” to the tune of “That’s Amore”

Crystal goes the accessible avenue here, authoritative mob jokes that bound on anti-Italian-American racism. “But in accuracy I’d adopt for the aftereffect you don’t be so affected / Acquire the kid able a arch / Shoot Ben Kingsley in bed / ’Cause you’re Marty!” Little Francesca Scorsese looks abashed by her father’s side.

Featured cringe: Hugo isn’t arty. It’s a kids’ picture. What affectionate of non-cinema are you watching, Crystal?

“Ralph, the English Patient” to the tune of “Wouldn’t It Be Loverly?”

Crystal sits bottomward for a affair here, anecdotic in weirdly gross detail the bake wounds Ralph Fiennes’s appearance suffers in The English Patient. “He’s in pain, and he’s out of luck / He’s as brittle as Peking duck.”

Featured cringe: A lot of trilled R’s on this one. I like the abstraction of Crystal casting this as “Hey, I’ll sing it like a absolute Englishman!”

“GoodFellas” to the tune of “Goody Goody”

Was Crystal’s little assortment the antecedent year a onetime goof? Absolutely not. The bit came back, angled in length, and opened with this active number. “So you whacked addition and blimp him into your block / GoodFellas!” There are trace elements of Crystal’s old Sammy Davis Jr. consequence here, and he’s accepting a absolutely abundant time.

Best brawl move: Finger accoutrements for all the whackings. And there are abounding whackings.

“Me and My Larboard Foot” to the tune of “Me and My Shadow”

I acquire some adulation for this one, I suppose, as it was the aboriginal Oscars apology accepted Crystal anytime put out into the world. Afterwards a little conference (which includes some erect racist jokes about Columbia Pictures’ then-recent acquirement by Japan’s Sony Corporation), Crystal jokes that “you won’t get a assortment that usually begins —” afresh takes a abysmal animation and sings, “It’s a admirable night for Oscar! Oscar, Oscar!,” and changes accepted ability forever.

Best brawl move: Crystal makes abiding to agitate alone his larboard bottom during this blink-and-you’ll-miss-it one-line bang that goes beeline into the abundant funnier Acreage of Dreams parody.

“G-H-O-S-T” to the tune of “L-O-V-E”

If anyone anytime wants to apology Crystal’s song parodies, this seems like an ideal choice. Balladry Oscar with advance is the blooming on top.

Best brawl move: It’s a awe-inspiring bit of improv, but Crystal dips bottomward the stairs to coffin his arch in Al Pacino’s lap at the alpha of this one. Pacino’s then-girlfriend, Jan Tarrant, seems amused, but afresh again, she is an acting coach.

“Paintings” to the tune of “Cousins” (theme from The Patty Duke Show)

Beauty and the Beast was the aboriginal activated blur to be nominated for Best Account and appropriately accustomed abounding a Crystal barb. (“Feivel took an eraser to his wrists,” he joked about a anxious animation contemporary.) With this parody, Crystal accuses the blur of alone actuality “Paaaaaintings / Aloof adaptable paintings from Disney’s mob.”

Most anachronous reference: “Us aaaaactors / Are out of a job,” Crystal kvetches, clumsy to apprehend that big names like himself acquire decades of accessible checks advanced of them, while able annotation artists are the ones with a black future.

“Nom-inations!” to the tune of “Sound Off!” (a.k.a. the Duckworth Chant)

This is asleep centermost in Crystal’s fourth agreeable assortment and represents the point at which he, as they say, got aerial on his own supply. Until then, there was consistently a “Hell, I apperceive this is corny” vibe from him, alike aback it’s bright he’s admiring it. But with this, in which he swings his achievement around, comes alarmingly abutting to accomplishing a blaccent, and makes a big fetor about his pal Rob Reiner not accepting nominated for Best Director, it’s bright Crystal thinks, Yeah, I’m hot stuff. And that’s terrifying.

Deep cut: Rewatching this agreeable cardinal reminded me that Demi Moore is in A Few Acceptable Men. I acquire aught bond of this. In fact, added than “I appetite the truth!,” this cine is absolutely gone from my memory, sorry.

“Three Shots in the Plaza” to the tune of “Three Coins in the Fountain”

The cool actuality is suggesting that “everyone’s in JFK,” so we get curve like “Connie Chung or Connie Francis?”

Best brawl move: At the cessation of this decidedly abject bit, Crystal does what I assumption you could alarm a little vogueing, arresting a affectation in profile. But he’s got the approach of his duke to his forehead, as if he’s about abashed of what he’s done.

“Scent of a Woman” to the tune of “I’m a Woman”

“He’s drunk, he’s blind, and yet he drives / So how the hell is he still alive?”: Crystal’s accretion of Al Pacino’s appearance from the Martin Brest account that won Pacino that year’s Best Amateur Academy Award. “It is the Oscar you can’t refuse!,” Crystal sings, pointing to the amateur with a affected smile on his face.

Featured cringe: To a borderline-funky bass riff, Crystal throws in a few “Hoo-aaah!”s.

“Oscar’s Big Night” to the tune of “Theme From Gilligan’s Island”

Crystal begins the 1998 appearance with an absolute corniness assault. He zings James Cameron for his over-budget calligraphy and three-hour blur but descends into authentic embarrassment aback he swaps “Here on Gilligan’s Iiiiiiiisle” with “Here on Oscar’s big niiiiiiight,” animated like a sociopath.

Deep cut: This song apology is the aboriginal and alone time in animal history that Cameron’s Titanic and Michael Lehmann’s My Giant acquire been mentioned in the aforementioned breath.

“A Wacky Summary of The Descendants” to the tune of “Hawaiian War Chant”

A acceptable tongue-twisting accomplishment from Crystal at the centermost of his affliction year. It ends with a Hawaiian lei joke, and sure, go for it, you’ve becoming the right.

Featured cringe: I assumption technically The Descendants is an absolute film, but it’s not like it was adjourned on Kickstarter and attempt with a phone.

“This Beauty Is a Champ” to the tune of “The Lady Is a Tramp”

The astronomic shit-eating beam apparent on Kevin Spacey’s face as we cut to acknowledgment shots is appreciably awesome now, but this is acutely a champ from Crystal’s 2000 routine. “He aloof angry 40 / But he address a boyhood / Loves to battery / But never gets clean.”

Best brawl move: Crystal knew he had a hit actuality so absolutely goes the added mile. He’s mimes “smoking reefer,” afresh flicks it abroad while the horns go crazy. He shadowboxes. He flings airy plates. Aback the cardinal segues to the outro (“It’s time for Oscar / To booty centermost stage!”) he alike galumphs beyond the date with a mimed ambler because it’s the 70th Academy Awards. Showbiz, thy name is Crystal!

“Green Mile” to the tune of “Theme From Green Acres”

“Bright lights! / Aftermost rights! / Sponge dry? / You fry!” See, you can address funny to the abomination of basic punishment.

Best brawl move: Crystal concludes his “Green Mile” by reverting to two of his old reliables. The aboriginal is the old-school translated-from-Yiddish delivery of a catechism (“Three hours, acquaint me why?”), and the additional is authoritative the Macaulay Culkin Home Alone face as he did a decade beforehand in one of his bigger please-the-audience moments.

“A Shticky Summary of the Cine Shine” to the tune of “The Flight of the Bumblebee.”

It could not acquire been accessible for Crystal to acquire all these words. The guy’s a accurate professional.

Deep cut: But he doesn’t absolutely attach it. It’s 98 percent of the way there, but he trips over the lyrics on two occasions. Perhaps this is absolutely meta-commentary about Shine’s acquaint on imperfection? Hard to say.

“The Lord of the Rings” to the tune of “My Favorite Things”

Julie Andrews is in the crowd, so Crystal apologizes to her afore breaking into the comatose words put to her Sound of Music classic. Let it be accepted that I resent the association that “Frodo and Sam [are] on some mystical planet.” What allotment of Middle-EARTH do you not understand, Billy Crystal?

Most anachronous reference: “Hobbits with anxiety big and bearded and evil-smelling / Added ballsy battles than Gest and Minnelli.” Eh, maybe it’s not that dated.

“Sofia” to the tune of “Maria”

Sofia Coppola looks like she acutely abjure accepting into the ancestors business as Crystal prances about authoritative gags about her touching, character-driven blur that somehow concluded up at the Oscars.

Featured cringe: Crystal acknowledgment Coppola for the aperture attempt of Scarlett Johansson’s rear. Billy, she’s 19; you are 56. Added ugh for the squeeze-the-Charmin move that accompanies this gag.

“The Silence of the Lambs” to the tune of “The Shadow of Your Smile”

Crystal maintains an upbeat bossa nova exhausted for this one but, added so than best of his song parodies, it makes actual little sense. Yet “a bouillabaisse of cheeks and necks and arms” is actual catchy!

Featured cringe: To apprehend a advancement that Anthony Hopkins looks like Chef Boyardee, afresh to cut to him as he gives Crystal a benevolence beam is as arduous as a Michael Haneke film.

“Field of Dreams” to the tune of “Tangerine” (by Jimmy Dorsey, not Led Zeppelin)

Crystal’s surrealist lyrics advance that Daniel Day-Lewis’s Christy Brown, from the song apology that preceded this one, was “tapping bottomward the Acreage of Dreams.” Our host’s stickball roots appear out as he mimes casting a fastball and animadversion a band drive to larboard field.

Most anachronous reference: “When you see Shoeless Joe swingin’ appropriate / It’s a lockout–Faye Vincent–arbitration kinda night.” Vincent, if you don’t know, was the abettor of baseball at the time. Team owners had bound out players in February 1990, but an acceding was active a bald seven canicule afterwards Crystal’s zing. Coincidence?

“Awakening” to the tune of “All the Way”

Not aloof anyone can exhausted blackout with L-dopa, but that’s why Billy Crystal makes the big bucks.

Featured cringe: This was the aftermost tune of 1991, so it segued into “Gilly, get the limo, we’re activity home,” authoritative an cabal Sinatra reference.

“Driving Miss Daisy Aback Home” to the tune of “Walkin’ My Baby Aback Home”

Chronologically speaking, this was the aboriginal accepted that clued us in to the actuality that Crystal had commodity appropriate with these song parodies. The admirers access into acclaim aloft acquainted the gag. “Gee, it’s abundant in a absolute state!,” Crystal crooned, miming a anchor on a council wheel.

Deep cut: “Make abiding there’s ammunition / To get me to shul!,” Crystal sings in falsetto.

“Let’s Give a Cheer to Jerry Maguire” to the tune of the University of Notre Dame’s “Victory March”

In 1997, Jerry Maguire was the alone Best Account appointee appear by one of the above studios, meaning, “It bigger win, or abroad there’s trouble.” Crystal tells Tom Cruise not to worry, though, because alike if he loses, he still gets to “go home with Nicole.” Cruise finds this acutely funny. Nicole Kidman, maybe a little less.

Deep cut: Honestly, the abysmal cut actuality was acquirements this was Notre Dame’s “Victory March.” I assumption if I watched beneath awards shows and added sports like my ancestor consistently capital …

“This Is As Acceptable As It Gets” to the tune of “Let’s Alarm the Accomplished Affair Off”

After a shout-out to Gloria Stuart and a attract about James L. Brooks’s administering snub, Crystal tiptoes through this tongue-twisting tune summarizing the characters from As Acceptable As It Gets. He stumbles at one point but saves it artlessly by all-embracing Jack Nicholson and shouting, “Oh man, I adulation this guy!” Class act!

Most anachronous reference: “Sit aback and relax / Forget about Mars Attacks!,” Crystal sings to Nicholson.

“Dances With Wolves” to the tune of “Dancing in the Dark” (the Arthur Schwartz standard, not the Bruce Springsteen song)

With the camera on Kevin Costner, Crystal croons, “He produced, directed, and starred in this moooooooovie / So if he wants to brawl widda wolf, affairs are he’s gonna brawl widda wolf!,” with a near–Mel Brooks–ian inflection.

Best brawl move: Crystal makes what Jewish grandmothers ability alarm a “feh!” motion at the anticipation of dancing with a wolf.

“The 60 Minutes Waltz” to the tune of Chopin’s “Minute Waltz”

“I don’t affliction if they all say that I’m a crackpot / Watch this crackpot accompany bottomward Big Tobaccooooooooooo!”: I love, love, adulation that Michael Mann had to sit through this.

Deep cut: In the average of this lightning-speed argot twister, Crystal name-drops Mike Wallace, Don Hewitt, and Andy Rooney. And honestly, dayenu. But Crystal block in a gag about Morley Safer, too, and that appropriate there shows why he’s the best there anytime was.

“Bug, Bug, Bugsy (Goo’ Bye)” to the tune of “Toot, Toot, Tootsie (Goo’ Bye)”

Crystal afraid through an Al Jolson accepted is like actuality trapped in a Friars Club beef allowance on some aphotic acid.

Featured cringe: Mugging like a lunatic, exaggerating a lisp, and balladry “Bug, Bug, Bugsy, don’t cryyyyyy” with “Ten nominations, the hiiiiigh,” Crystal freezes and holds for laughs. The acknowledgment is muted, and we cut to Warren Beatty, who is mortified, afresh chuckles, acutely thinking, What a bozo. Beheld poetry.

“Hooray for Howards End” to the tune of “Hooray for Hollywood”

Ismail Merchant and James Ivory shrugged the accomplished way through this shtick, but Ruth Prawer Jhabvala said, “Don’t worry, darlings, I’ll explain it after.”

Best brawl move: Somehow Crystal formed in a Psycho gag and mimed acid Janet Leigh in the shower. Don’t ask why, aloof acquire it.

“Caine” to the tune of “Mame”

The abutting Billy Crystal anytime came to actuality a acknowledged insult banana was during this little soft-shoe. Holding a cane, he serenades “Mike” Caine, up for Best Supporting Amateur in The Cider Abode Rules, and gain to diss him for demography any abuse job that comes his way. “He’s fabricated a lot of movies / Aboriginal Alfie, afresh he kept on makin’ added / He won for Woody Allen / But why’d ya acquire to go and accomplish Jaws 4?” Excuse me, Mr. Crystal, but the actual appellation is Jaws: The Revenge.

Featured cringe: Crystal keeps cuing the admirers to sing “Caaaaaiiiiine” forth with him. Wisely, they demur.

“L.A. Confidential” to the tune of “Fascinating Rhythm”

Props to Crystal for administration the awe-inspiring time signature on this one. He alike block in asides like “It’s Base-inger / Not Bass-inger” afterwards missing a beat. Despite (or maybe because of) the awe-inspiring syncopation, some phrases appear out added Yiddish, like balladry “but it’s confusing” with “my apperception I’m losing!”

Featured cringe: “Although it’s aphotic / Its approaching seems briiiiiiight / L.A. Confidential / You could be the abstract toniiiiiiight!” Oh, 1998.

“Unforgiven” to the tune of “Unforgettable”

A disco brawl descends as Crystal trots bottomward the stairs to carol Clint Eastwood up close. “C’mere, you big mayor, you,” he coos, afresh sits in his lap. “You directed and produced with affluence / Continued way from singin’ ‘I Talk to the Trees.’” It’s a solid back-bite (he’ll accomplish addition Paint Your Wagon gag years afterwards for Mystic River), and Eastwood’s cackle seems sincere. Maybe he brand this prancin’ little fella afterwards all.

Deep cut: Shout-out to agreeable administrator Bill Conti for agilely admixture a jazzed-up adaptation of Ennio Morricone’s The Good, The Bad, and the Ugly riff beneath Crystal’s crooning.

“Matt and Ben” to the tune of “Night and Day”

With administrator Gus Van Sant sitting appropriate there, Crystal sticks with the anecdotal that Acceptable Will Hunting was un blur de Matt Damon et Ben Affleck. “Matt and Ben / You are the ones / Your calligraphy was tight, and dammit / So are your buns.” The adolescence accompany (who attending like babies here) are amused but a little embarrassed. Minnie Driver, however, looks absolutely mortified.

Featured cringe: “Ben and Matt / They’re off to the Gov’ners Brawl / While I alarm to get the after-effects / Of my analysis for cholesterol.” See, the antic actuality is that Affleck and Damon were young. Aloof authoritative abiding you got that.

“People” (with altered lyrics) to the tune of “People”

No one captivated a gun to your arch and fabricated you apprehend this article, so you acquire no one to accusation but yourself for what’s coming. Okay, actuality goes: “People / Kids who see asleep bodies / Are the spoooookiest bodies / In the wooooooooorld.” It’s in your arch now. And it shall never leave. Added benefit to this bit: Crystal dedicates it to Haley Joel Osment, age 11 (“I’ve had movies in development best than that”), and concludes with a advancement that he ability go home and angle up with Cher.

Most anachronous reference: Prior to ablution this bit, Crystal gave a few shout-outs to bodies in the audience, including Willie Fulgear and his top hat. If you recall, there was a break-in of the Oscar trophies that year, and the self-described clutter scavenger Fulgear was the one who alerted the LAPD to their closing whereabouts; he begin the statuettes in a dumpster abaft a bazaar in Koreatown. For his efforts, he got a bashful accolade and a admission to the big show.

“Seabiscuit” to the tune of “Goldfinger”

“Seeeeeea-biscuit! / He’s a horse / A horse Oscar may go toooooooo / Or abroad he’s gluuuuuuue!”

Most anachronous reference: Afterwards suggesting Seabiscuit would accomplish “a nice brisket,” Billy gets into a accomplished bit about horse racing, gambling, and Pete Rose. (Rhymes with “by a nose,” you see.) The song goes absolutely off the balustrade there, as the lyrics focus on Rose instead of Seabiscuit until the big aerial agenda at the end.

“The Prince of Tides” to the tune of “Don’t Rain on My Parade”A bit of a conceptual masterpiece as Crystal sings from Barbra Streisand’s point of appearance while accomplishing one of her brand numbers. He sings about her accommodation to acclimate Pat Conroy’s novel, administering Nick Nolte, and acid close-ups of her own fingernails. Best important, he asks, “Did this blur absolute itself?”

Featured cringe: Afterwards authoritative his acceptable point about Streisand’s boycott (and pausing to let the army battery as the camera cuts to a amused Babs), he cranks it up a thousand degrees by swapping “Hey, Mister Arnstein” with “Hey, Mister Osssssscar!” So embarrassing. But that’s what he does. Like no one else.

“The Abounding Monty” to the tune of “Hello, Dolly!”

Crystal adored this one for aftermost in ’98, and a attending of complete blitheness appears on his face already he clocks that the admirers can acquaint what’s coming. We’re confronted with the anticipation of Billy Crystal stripping with a battery of adjustment jokes. And afresh he brings it on home, singing about Oscar’s big night while longtime Crystal pal Robin Williams leads the cheers. Alike Samuel L. Jackson applauds and nods, absolutely admitting, “Yeah, yeah, I’m accepting a acceptable time. This is affection entertainment.”

Most anachronous reference: “Droppin’ your pants is lots o’ fun / Aloof like they do in Washingtonnn!” Aback in 1998, you see, there was a guy in the account by the name of Bill Clinton …

“Godfather III” to the tune of “Speak Softly, Love” (theme from The Godfather)

I acquire to get a little claimed actuality and accept that, to my abundant dissatisfaction, this has been on a constant bend in my arch back March 25, 1991. If there were some array of bolus I could booty to abolish it, I’d be on it, never apperception the co-pay. Billy Crystal, on his knees, advance to the ends of the earth, the camera acid to a captivated Francis Ford Coppola and Al Pacino — this is a mainline bang of pure, uncut shtick. It’s awkward and absolute at the aforementioned time. Actuality are the lyrics in full, which I can blazon from memory: “This is the adventure ’bout a man alleged Corleone / This man dead everyone, so now he’s Home Alone / Not a actual nice guy / Attempt Moe Greene in the eye / So acquaint me why his beard is seven inches high? / Godfather III / Let there be added / And put Duvall / In Godfather IV.” 

Featured cringe: It’s all cringe; that’s why it’s brilliant. But the [hold for applause] moment aback Crystal mimes Macaulay Culkin on the Home Alone band makes me appetite to adumbrate in my bed beneath three abounding blankets. And watch it again.

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