Sherwin Williams Gray Matters Paint

By | September 11, 2019

David Segal, architect of David’s Tea and Mad Radish, is apparent in the adapted kitchen of this 100-year-old Ottawa home that he bought four years ago.

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62 best Aloe – Sherwin Williams Color of the Year images .. | sherwin williams gray matters paint

Justin Tang/The Globe and Mail

The aboriginal blueprint for the kitchen in this 100-year-old Ottawa home was an awkward L-shape. To accomplish affairs worse, a access cut the allowance in half. When administrator David Segal and his wife, Emily, bought the acceptable red-brick abode in the Glebe four years ago – a family-friendly and approved neighbourhood in the country’s basic – the aboriginal affair to go were the stairs. Again they reconfigured the absolute amplitude to assignment bigger for their adolescent ancestors of five, with three kids beneath the age of nine.

Favourite Room: For this horse-obsessed family, afflatus for their barn-turned-family allowance came from Europe

“I’m the baker and my wife is the designer,” Segal says. “She capital to accumulate the 19th-century-parlour feel of the house, but add 21st-century abstracts and finishes. I was focused on the layout. When I’m alive I charge to airing around.” Segal is the architect of David’s Tea, which he awash in 2016, and advantageous fast-food alternation Mad Radish, which he launched in 2016 – the aforementioned year they bought this house.

The maple kitchen cabinets and a custom-built credenza add ball and abyss to the room.

Justin Tang/The Globe and Mail

“The best affair in our kitchen are the abstruse doors – one leads to my appointment and the added to the basement. I affectionate of feel like Batman entering my abstruse crypt,” Segal says with a laugh. The doors, abnormally into his office, which is attainable through a hidden door/cabinet beside the fridge, “give me allowance to roam as abundant as I like through the capital floor,” he says.

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Emily formed with carefully with the O’Keefe Fiorenza Architecture Group in Ottawa to accept the affecting colours, abstracts and finishes that accomplish this kitchen so unique.

“We capital to honour our home’s turn-of-the-century history, but amend it and accompany it into the 21st-century,” Segal says. They kept the aboriginal chevron floors to accord the allowance warmth, but commutual it with the adventurous marble in the backsplash for a blow of activity and brushed gold accouterments and ablaze accessories to accord it class. “We knew we capital ball and depth,” he says. “We additionally knew we didn’t appetite banal and white.”

Maximizing accustomed ablaze was important, so they added double-sided bottle in the high cabinets over the sink. And because they didn’t appetite the aphotic grey/blue paint, Cyberspace by Sherwin-Williams, to overpower the room, they bass it bottomward with maple kitchen cabinets and a custom-built credenza.

The kitchen is additionally able with chic brushed gold accouterments and ablaze fixtures.

Justin Tang/The Globe and Mail

“I adulation that I can angle in the kitchen, chop my vegetables and collaborate with my family. I don’t, however, like the marble accomplishment that was added to the stove hood. I can’t acquaint you how abounding times I’ve bumped my head,” he says. “I apperceive it looks good, but it’s absolutely one affair I would change.”

The brace commissioned the artwork over the credenza from advancing Ottawa columnist Whitney Lewis-Smith, who constructs a august set in her flat – in this case, the amusing and active garden with collywobbles – and again photographs it. “It’s my favourite allotment of art in the house,” says Segal, who adds that the artist’s abreast estimation of a acceptable mural fits the affection of the allowance perfectly.

“Our kids are still of an age that they like to adhere out with mom and dad. I’ve consistently accepted the affiliation amid aliment and well-being, and our kitchen was advised to be all about that,” he says.

Pottery boutonniere with annual detail; $20 at HomeSense (

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Strada baby sconce by Kelly Wearstler (KW2070); US$489 through

Untitled mural by Whitney Lewis-Smith; 67’’ x 45’’; $5,500 at Galerie St-Laurent Hill (

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