Things U Can Paint

By | September 5, 2019


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1968 Buick Skylark Gran Sport California – Buy American .. | things u can paint

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Paint Scrape Notecards – DIY Art Project Idea | DIY art .. | things u can paint

How to paint a sunset with palm trees in watercolor - YouTube - things u can paint

How to paint a sunset with palm trees in watercolor – YouTube – things u can paint | things u can paint

Watch this if: You appetence to see our country through the eyes of artists.

In addition architecture adopted from British TV, à la “The Great Canadian Baking Show,” contestants baker up paintings — and they get aloof four hours to actualize masterpieces. Different artists and locations are alien in anniversary episode, with above National Gallery administrator Marc Mayer and artisan Joanne Tod chief the $10,000 winner. (Makeful TV at 9 p.m.) (For addition appearance of Canada and Canadians, chase Mi’kmaq average Shawn Leonard, a.k.a. “Spirit Talker,” as he helps the alive via the dead, while reconnecting with his own Indigenous heritage, on APTN, Wednesday at 8 p.m.)

—Debra Yeo


Watch this if: You adulation pop stars and wannabe pop stars alike.

Artist Vivek Shraya is adamantine to categorize; she’s a abandoned artist as able-bodied as one bisected of the bandage Too Attached (with her brother Shamik Bilgi); she’s a columnist and beheld artist; she’s a biographer and columnist and aesthetic autograph professor; she’s a administrator and she’s an activist. What she’s not, if you ask her, is a pop star, admitting she tried. And that’s what she explores in her aboriginal play, a abandoned achievement directed by Canadian Stage aesthetic administrator Brendan Healy. If you’re annoyed of success stories, appetence this one that celebrates failure, too. (Berkeley Street Upstairs Theatre, 26 Berkeley St., 8 p.m., through March 1)

—Carly Maga

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Learn how to use face paints, sponges & glitter – Face .. | things u can paint

Watch this if: You appetence a abreast achievement that mixes George Orwell with Indigenous prophecy.

The appellation “AF” brings to apperception the George Orwell dystopian allegory “Animal Farm.” It additionally represents an acronym for “Anishnaabe Fire,” as in the seven fires apocalypse of the Anishnaabe people. Red Sky Performance, a multidisciplinary Indigenous aggregation led by aesthetic administrator Sandra Laronde, is accepted for acclaimed shows like “Backbone” and “Trace.” Now Red Sky explores accessible Indigenous futures for the animal race, as a added alarming antitoxin to Orwellian cynicism. (Berkeley Street Theatre, 26 Berkeley St., 8 p.m., through March 1)



Watch this if: You don’t apperceive this archetypal allotment of alarming cinema by Brian De Palma.

Given the anguish and black that ample best canicule at this time of year, it’s all too applicable for TIFF Bell Lightbox’s winter affairs to accommodate a acceptable confined of abhorrence flicks new and old. They’re all presented as allotment of The New American Nightmare, an amend on the groundbreaking affairs of avant-garde and annoying brand films presented at TIFF (then accepted as the Festival of Festivals) aback in 1979. Talks by bounded critics and programmers accompany abounding screenings: abutting up is Midnight Madness programmer Peter Kuplowsky giving his booty on De Palma’s ashen 1973 account of murders best foul. So why not pretend it’s Halloween already? (TIFF Bell Lightbox, 350 King St. W., 9 p.m.)

—Jason Anderson

Watch this for: A assignment in agreeable chemistry.

Some one-off this has angry out to be. A bout of blues, folk and bedrock guitarists that formed out of Hamilton for a Willie P. Bennett accolade anthology is now adulatory 25 years and 10 albums — the best recent, “King of This Town,” is aloof out and, rather unbelievably, the major-label admission for the leash of Colin Linden, Tom Wilson and Stephen Fearing. All three advance alive and advancing abandoned careers — Linden aloof denticulate a Grammy for his assembly assignment on Keb’ Mo’s latest — and with a brace of approved mates in bagman Gary Craig and bass amateur John Dymond, they’re amid the best agreeable alive acts going. (Danforth Music Hall, 143 Danforth Ave., doors 7 p.m.)

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—Chris Young

Watch this if: You accept an appetence for stylishly fabricated animus fantasies.

In 1970s New York, a assorted accumulation of vigilantes led by Holocaust survivor Meyer Offerman (Al Pacino) and his protégé Jonah Heidelbaum (Logan Lerman) coursing Nazis who are acute to authorize a fourth reich in the U.S. The series, controlling produced by Jordan Peele, is claimed for architect David Weil, whose grandmother lived through the Holocaust. Its casting includes Canadian amateur Saul Rubinek, the son of Holocaust survivors. (Amazon Prime Video)



Watch this if: Feline-themed viral videos aloof won’t allay your addiction to cuteness.

Can you anytime get abundant beautiful cats? If you hesitated aloft answering that question, you may already accept affairs to see the latest copy of this touring accumulation of feline-centric awning spectaculars, which has been abnormally adopted from different submissions, the worlds of music video and action and, of course, the absolute internet. Patrons for this compensation of fluffiness — which screens on Sunday, too — will additionally be allowance creatures in charge aback 10 per cent of admission sales will be donated to Toronto Cat Rescue. And no charge to worry: none of the cat videos actuality accommodate advancing images of James Corden or Dame Judi Dench in CGI fur. (Hot Docs Ted Rogers Cinema, 506 Bloor St. W., 2 p.m.)


Watch this to: Catch a pop auteur afore she chucks concerts for moviemaking. At least, that’s what she’s suggesting.

Natasha Khan allotment afterwards some time away, bringing in fifth LP “Lost Girls,” followup to 2016’s “The Bride,” which itself followed “The Haunted Man” (2012). The titles adumbration at her storyteller’s POV and goth-y trappings, and the bulk has continued becoming her acclamation and comparisons to ancestor Kate Bush and Bjork. But off a move to L.A. to accompany filmmaking opportunities, “Lost Girls” is her Hollywood almanac and a bit of a departure, a affluent sonic cruise to ’80s synth-pop and movies that, by her standards, is appealing brilliant going, admitting still foregrounding that articulation of hers, able to approach achievement and anguish in cautiously calibrated measures. She flies abandoned for her aboriginal headlining appearance actuality in about 11 years — accustomed the time away, there’s no little anticipation, as able-bodied as no cogent aback she’ll be aback next, if at all. (Phoenix, 410 Sherbourne St., doors 8 p.m.)


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