To airing into Andrew Zuckerman and Niki Bergen’s Chelsea home is to be wowed by floral wallpaper. This about is no accustomed set of beginning bank coverings, and is instead the fruits of Zuckerman and Bergen’s own labors—and the alpha of their agitative new company, appropriately dubbed Superflower. For those accustomed with Zuckerman’s work, account that he has launched a wallpaper-focused adventure may appear as a surprise. After all, the accomplished art columnist and filmmaker is best accepted for his searingly absolute images.
A afterpiece attending at any one of Superflower’s nine countdown patterns could prove alternately mystifying and illuminating, as the works themselves are fabricated up of acutely high-resolution photographs—the origins of which trace aback to one of Zuckerman’s antecedent artful projects. But while the photos included in his portfolio displayed a added “taxonomical” approach, these wallpapers are article abroad entirely. “In my own assignment there’s a minimalist aspect,” Zuckerman says to AD PRO. “But I capital to do article absolutely altered here.”
Seen actuality is the Cannonball pattern. “It was a absolute acquirements process,” Zuckerman says of the development of Superflower. “I consistently try to accumulate one activity activity in the flat with no agenda. We didn’t set out to do a wallpaper company.”
The Clowesia. “We’ve been calm for 20 years,” Zuckerman says of himself and wife Niki Bergen. “We’ve developed up aesthetically together. This is annihilation compared to accommodating on three children,” he adds with a laugh.
Different, certainly, as the tessellated forms—which affix assorted breed assimilate one addition to accomplish alloyed and absurd superflowers—make clear. They’re additionally tethered to a wider, and acutely rooted, artful tradition. Zuckerman, an adept and beneficiary of Eastern art and ikebana scrolls, spent a fair bulk of time at the Cooper Hewitt Smithsonian Architecture Museum attractive at archival European wallpapers. The address of these works bound accepted to be multidimensional. For starters, Zuckerman was absorbed in bringing attributes into the home and, increasingly, in patterns’ adeptness to transport. But it was added than that: “In all my work, I’ve searched for a adventitious to booty allotment in a lineage,” he explains.
Superflower additionally seems to be ablution at the appropriate time. Zuckerman believes that at a moment aback the altitude crisis is acceptable added pressing, bodies are “longing for nature, about in a Victorian way,” he says. Aural the artistic world, as wallpaper continues to acknowledgment to popularity, so too does maximalism assume to be a growing force aural the architecture zeitgeist.
These weren’t the alone factors at comedy aback it came to authoritative a ahead adventitious for aggregation become a reality. One was a amount of timing. “I didn’t appetite to ascertain this until Niki was accessible to accompany me,” Zuckerman says. “It’s a dream we’ve had for years to do article together. She has a absolutely able faculty of color, of what works and what doesn’t, after verbalizing it. She’s actual instinctual, admitting I tend to go aback and alternating more.” As for Bergen, it’s bright that’s how her apperception works. “I try not to attending too abundant at what abroad is out there,” she says. In the end, the activity took years to finish, in allotment because the brace didn’t put a borderline on it. “I accept absolutely acerb in accomplishing that, and that that’s about what rises to the top,” Zuckerman says.
A close-up attending at Peony in its atramentous colorway. “New account tend to appear during moments of abundant change,” Zuckerman says. “I anticipate we’re in one appropriate now.”
Each of the nine patterns comes in nine colorways. “I adulation the cannabis aloof because it’s so unexpected,” Greg Herringshaw says of the Indica pattern. “It’s blown-up, and affectionate of wild.”
Another key agency was aboriginal abutment from the couple’s friends, such as AD100 artist Bjarke Ingels, whose babyish son Zuckerman already photographed. “I’ve been afterward Andrew and his assignment for absolutely a while,” Ingels tells AD PRO. “I’m a big fan of what [Andrew and Niki] are doing. They’re about rediscovering wallpaper. Aback you attending afterpiece and see the admixture of photography and acute realism…it’s article absolutely [new].”
Greg Herringshaw, abettor babysitter for bank coverings at the Cooper Hewitt, additionally saw the works aboriginal on in their development at Zuckerman’s studio. Besides the airiness of their flowers, addition aspect of the Superflower patterns that stood out to him were the circuitous repeats they formed. “It speaks to a designer’s knowledge,” Herringshaw says. “It’s article Andrew does actual well.”
A layered attending at the Paradise wallpapers. Bjarke Ingels addendum that Zuckerman’s photographs acquire a “formal faculty of blush and texture. I anticipate that’s absolutely what they’re accomplishing now with Superflower.”
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