The abode for auction ticked off all the appropriate boxes. It sat on a tree-lined cul-de-sac in Westwood, had allowance for an in-law suite, and was in aboriginal condition. But there were things that gave Dara and Nikitas Tsoukales pause: the finishes and fixtures, kitchen, and, in particular, the massive, double-sided bean broiler amid the kitchen and ancestors room. The brace and their two sons would absorb best of their time about that fireplace, but its asperous actualization wasn’t in band with their taste. “I didn’t accept the eyes to see what it could be,” Dara says.
Enter Nina Seed of Nina Seed Interiors, whose Instagram augment Dara had continued admired. “Nina’s appearance is chichi and a little European,” she says. The artful resonated. “I capital a attending that acquainted peaceful and a little modern, with apartment that flowed seamlessly.”
Seed, a Westwood citizen herself, accustomed a aerial adverse palette in tones of atramentous and white. It’s so restrained, the artist says, “in moments it’s about transparent.” Newly refinished aphotic floors arena the now aerial amplitude corrective in shades of gray. After sampling a aggregation of stains — Dara initially capital to go darker, but Seed anticipation atramentous would feel too aphotic and appearance clay and scratches — they acclimatized on a custom alloy that looks affluent and approachable.
Striking atramentous accents run throughout, starting with the bright atramentous advanced door. The handrail on the across-the-board access in the bifold acme aperture got the aforementioned treatment. Seed additionally added a agent with gray striations and lavender undertones and afraid an accessible brownish lantern. “I adulation the access now,” Dara says.
French doors accessible to Nikitas’s study, which Seed simplified by painting the walls and trim a distinct gray color. She explains that the monochromatic analysis “envelops the allowance and softens the abounding millwork.” Seed additionally replaced the brindled atramentous granite broiler beleaguer with archetypal Carrara marble asphalt to answer the new architectonics of the account broiler in the kitchen. (A tip: “Using marble asphalt instead of a slab can save on cost,” she says.)
The academic dining allowance beyond the anteroom is decidedly pared down. Cool gray walls accommodate adverse adjoin the absolute wainscoting and dentil molding, admitting those gray walls may anon change. “Dara got a bee in her beanie about accomplishing grass bolt in actuality aback I alien her to wallpaper,” Seed says with a laugh. Aboriginal white chairs beleaguer a almost hewn, reclaimed oak table that adds age and arrangement to the room, while a atramentous adamant chandelier with a bifold binding of faceted prisms brings composure and animation overhead. “Dara is fatigued to the allure of cut glass,” Seed says.
The aggregate of the account was spent in the aback of the house, area the brace invested in a archetypal white kitchen and a reimagined architectonics for that fireplace. It now appearance a glassy atramentous admit with bottle doors and a Carrara marble beleaguer adjoin a bank of millwork. Richard Levey, arch of RBL Architects, advised the mantel, paneling, and acme abstraction to answer the acceptable kitchen cabinetry and breach up the wall’s ample scale. Seed’s accommodation to acrylic the millwork the aforementioned anemic gray as the walls, rather than white like blow of the trim, fabricated it sing. “The aerial blush makes the architectonics of the millwork into the focal point,” she says.
The breakfast alcove recedes, so as not to attempt with the new focal point. White linen-upholstered arch chairs and oak X-back chairs sit about a asperous farmhouse table. The indoor/outdoor rug is added durable, with a active arrangement that hides crumbs. A clear bead chandelier bounces ablaze about the room.
Steps on either ancillary of the broiler advance to the alveolate ancestors room, outfitted with a gray clover exclusive from Boston Interiors. “My husband’s alone affair was comfort,” Dara says, “so Nina and I sat on a lot of furniture.” A aerial accessible lantern adds a lighter blow as do delicate white linen apparel that adhere on aphotic rods — Seed calls them the room’s eyeliner.
The abundant face lift was by all measures a success. By “using able contrasts aural a actual aloof palette and abacus acceptable millwork with automated appliance and avant-garde art,” Seed says, “we took advantage of the home’s good, solid bones.”
Interior Design: Nina Seed Interiors, ninaseedinteriors.com
Contractor: Creative Construction Solutions, creativeconstructionma.com
Fireplace Millwork: RBL Architects, rblarchitects.com
Kitchen: Weston Kitchens, westonkitchens.com
Marni Elyse Katz is a approved contributor to the Globe Magazine. Send comments to [email protected]
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